Post-production, start to master

Editorial, colour,
sound and delivery

What we do
Remote-first, working across time zones

Your rushes in,
your masters out

What we do
Commercial, documentary, corporate

A small studio
with a full pipeline

What we do
What we do

A full post pipeline

We pick up a project after the shoot and carry it through to the masters your broadcaster, agency or platform will accept. Some clients hand us the whole post; others book a single room for a week.

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Offline editing

Story assembly from first selects to picture lock, with versioned cuts and change notes the whole team can follow.

Online & conform

Conform back to camera originals, titles, insert edits and final renders, matched frame for frame against the approved offline.

Colour grading

Grading in a calibrated suite, with separate HDR and SDR passes and a graded reference sent for review before the master is built.

Sound post

Dialogue edit, sound design and mix, delivered as stems with loudness measured to the target the broadcaster or platform asks for.

Big Buck Bunny

  • Animation
  • Grade reference

Cosmos Laundromat

  • Short film
  • Grade reference

Caminandes 3: Llamigos

  • Animation
  • Delivery reference

Reference library — open films released by Blender Foundation under CC BY. We screen them as craft references for grade, conform and sound work; they are not our productions.

146

Projects delivered

28

Client teams on retainer

9

Years running

17

TB ingested in a busy week

Media handling

Rushes in, masters out

Most of what the studio does every day is moving and checking files. Cards are copied twice with checksums, viewing copies are built overnight, and clients pull approved masters from the portal when they are ready.

How it works

Ingest and dailies

Camera cards and sound rolls are ingested on arrival, verified against checksums and turned into viewing copies overnight.

Client portal

Uploads and finished masters move through the portal instead of consumer file-sharing links. Access is set up per project.

Inside the studio

Four rooms, one pipeline

Editorial

Offline and online, assembly to lock

Colour

Grading suite, HDR and SDR passes

Sound

Dialogue, design, mix and stems

Media & delivery

Ingest, dailies, masters, QC

How we work
Journal

Notes from the suite

A conform checklist that survives late picture changes

  • Feb 11, 2026

Picture rarely locks when the schedule says it will. These are the checks that keep a conform honest when the offline keeps moving underneath it.

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Loudness targets: one mix, four platforms

  • Jan 19, 2026

Broadcast, streaming, social and cinema all measure loudness differently. Planning the stems around that is cheaper than remixing after a rejected QC.

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What we need from a shoot before ingest

  • Dec 08, 2025

Half the problems we see in post were created on the last day of the shoot. A short handover list costs an hour on set and saves days in the cutting room.

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Have footage and a delivery date? Send us the spec.

Tell us the format, the runtime and where it has to land. We will come back with a schedule and a quote.

Start a project