Kite House Studio started in 2017 as two editors sharing a storage array and taking overflow work from production companies that had shot more than they could finish. It has grown into a full pipeline — editorial, colour, sound, cleanup and delivery — run by a small permanent crew with freelancers brought in for peaks.

We work with a limited number of client teams rather than a long list of one-off jobs. Most of them come back several times a year, which is why the studio is built around a shared portal, standing storage and a delivery spec we agree once and reuse.

Because the crew and the clients are spread across several countries, the facility is remote-first by design. There is no reception and no screening room to visit; there is a pipeline that is available at whatever hour a production needs it.