Services

Offline editing

Story assembly from first selects to picture lock, with versioned cuts and change notes the whole team can follow.

Online & conform

Conform back to camera originals, titles, insert edits and final renders, matched frame for frame against the approved offline.

Colour grading

Grading in a calibrated suite, with separate HDR and SDR passes and a graded reference sent for review before the master is built.

Sound post

Dialogue edit, sound design and mix, delivered as stems with loudness measured to the target the broadcaster or platform asks for.

VFX cleanup

Rig and marker removal, screen replacement, tracking and beauty work — the fixes a shoot leaves behind rather than full-scale effects.

Mastering & deliverables

Broadcast and platform masters, subtitle and caption files, versioning for regional cuts, and a QC report with every package.

Media management

How files reach us

Post work is only as reliable as the media handling underneath it. This is the part of the studio that runs whether or not anyone is in a suite: transfers, checksums, viewing-copy builds and backups.

Ask for the spec sheet

Ingest

Camera cards, sound rolls and drives are copied twice with checksums recorded. Nothing is wiped on set until both copies verify.

Dailies

Viewing copies are built overnight, so editorial and the production office can watch the day before the next call time.

Transfer

Large jobs move over the client portal on a managed link rather than consumer file sharing. Long transfers run unattended and resume after a drop.

Retention

Project media stays on the array for the length of the contract, with an offline copy. Deletion happens on written instruction, not automatically.